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Dept. of Theatre & Dance Section
Niche

Dickinson College

presents


DANCE ALLOY

Artistic Director: Mark Taylor


ROOTS/CROSSROUTES April 2&3, 1999,8 PM
Mathers Theatre

Choreography: Mark Taylor
Composer: Leroy Calliste
Musical Director: D. Jeffrey P. Medina
Lighting Design: Barbara E. Thompson
Costume Design: Susan O'Neill
Text: Marie Fenton, Jerome Kendall,
         Mark Taylor

The Roots/Crossroutes Residency
March29 - April 3, 1999
Dickinson College

The residency of the cast and creators of Roots/Crosssroutes, an evening length performance of original song, dance, and storytelling, brings to Carlisle a company of 19, including professional musicians, dancers, and actors. Highlights of the residency include:

*Movement Workshops at Dickinson College
*Lecture-Demonstration at Mooreland Elementary School
*Movement workshop at Carlisle High School
*Open rehearsals
*Common Hour Informance: Introduction & Preview of Roots/Crossroutes
*Discussion Sessions with Dickinson College students from American Studies, Theatre & Dance, and Multicultural groups
*Performances of Roots/Crossroutes

Each performance will be followed by an opportunity to talk with the artists and a reception.

The CD of the original music created by Black Stalin for Roots/Crossroutes will be available at the Dickinson College Bookstore and at the receptions following each performance

Issue in Context

Roots/Crossroutes was created to address the multi-faceted impact of immigration within the Carribean, yet it addresses issues found in all communities in which immigrant populations live. As a territory of the Unitied States, the Virgin Islands are an attractive immigration option to those from neighboring Carribean islands. Given that land and other natural resources - as well as jobs - are finite, the influx of people to St. Thomas has been the source of much ill will. This is particularly puzzling to an outsider who, basing an opinion on visual information only, might consider St. Thomas homogeneous. Yet the differences between Jamaicans and Trinidadians are as real as the differences between, for example, French and Germans.


About the Event

Roots/Crossroutes was commissioned by the Reichhold Center for the Performing Arts at the University of the Virgin Islands in St. Thomas. The work was created collaboratively by Tinidadian musician and composer Leroy Calliste (aka Black Stalin), and Pittsburg-based choreographer Mark Taylor, artistic director of Dance Alloy. The lyrics in the music and the motivation for the choreography were drawn from oral histories gathered in St. Thomas by sociolinguist Dr. Vincent Cooper of the University of the Virgin Islands. Shown in its early stages as a work-in-progress at the Arts in Society Conference at Dickinson College in September, Roots/Crossroutespremiered in November 1998 in St.Thomas. The performances at Dickinson are the first on the mainland.

PROGRAM

Roots/Crossroutes (1998)

*Ode to St. Thomas

*Immigration Run

*Santo Domingo My Land

*Super Jamo

*Puerto Rico My Home

*How to Make It

*I Cry

*Together as One

 

Production Credits

Choreography:....................
Music:.............................
Music Direction:..................
Lighting Design:..................
Costumes:.........................
Text:...............................
Dance Alloy Performers:.........


Actors:..............................
Musicians:.........................

Lead Vocals:......................
Background Vocals:............
Oral Histories:..................



Cosultant/Liason with the
Association of Carribean
Organizations:.....................
Assistant Lighting Designer:......
Sound Design:........................
Technical Director (Dickinson):...
Production Assistants:...............

Box Office Manager:.................
House Manager:........................
Light Board Operator:..............
Deck Crew:.............................
Dickinson College
Residency Coordinator:............
Publicity:...............................


Residency Support:.................


Mark Taylor
Leroy Calliste (aka Black Stalin)
D. Jeffrey P. Medina
Barbara Thompson
Susan O'Neill
Marie Fenton, Jerome Kendall, Mark Taylor
Gillian Beauchamp, Tim Cowart,
Michele de la Reza, Peter Kope, Andre Koslowski,
Gwen Hunter Ritchie
Marie Fenton, Jerome Kendall
D. Jeffrey Medina (guitar)
Gerald Achee (percussion)
Leroy Calliste (aka Black Stalin)
Lorna Freeman, Cindy Jurgen, Merle Sasso
Augustus Beaupierre, Choupette Braure
Miguele Caban, Juan Carlos Marie
Cain Magras, Mary Ryan, Mario Washington
Henry Wheatley


Dr. Vincent Cooper
Sarah Higgins
Sean Michaels
Jim Lartin-Drake
Ben Henderson Bird, Sophia Bushong
David McCallum, John Thompson
Kiran Advani
Hilary White
Fridey Mickel
Kristen Binney, Jason Rosenstock

Amy Ginsburg
Erin Baker, Alex Bloom, Lamar Hills-Smith
Joanna Karwacka, Angela Reynolds
Catherine Santore
Eureka Batson, Kathleen Bibalo,
Melissa Coindreau, Jennifer Moll,
Dava Wiener

SPECIAL THANKS to the Arts in Society Conference, Nancy Baun,
Rae Ann Brougher, Renee Heider, Asonia McAllen,
Susan Nichols, Cecile Strand, and Helen Wilson

 

 

 

 

 

 

 

 


 

 

 

Montgomery House • P.O. Box 1773 • Carlisle, PA 17013-2896
717-245-1239 • theatre&dance@dickinson.edu